“ I aim to re-sensitise and revalue themes that have been normalised, oversaturated, or stripped of nuance”
As a designer, I aim to re-sensitise and revalue themes that have been normalised, oversaturated, or stripped of nuance. In an age dominated by efficiency, technology, and artificial realities like algorithm-driven environments and immersive media, I focus on the impact of culture, collective identity, and personal accountability on how we shape and inhabit our surroundings.
My work addresses issues such as social identity, the lingering influence of colonial frameworks, and the power of naming and categorisation -drawing from philosophical nominalism- using immersive research methods like material storytelling, fieldwork, and critical dialogue.
Photography acts as a tool for observation and reflection. It allows me to document and engage with perspectives that differ from my own, offering space for alternative narratives to emerge.
As my practice evolves, I continue to explore how research, design, and photography can intersect more deeply. I aim to create human-centered experiences and accessible translations of complex societal issues, inviting critical engagement from the public while maintaining emotional and cultural relevance.